主演：Lola,McDonnell,Scott,Ellis
导演：詹姆斯·W·格里菲思
简介：在线高清版本：mac://v.youku./v_show/id_XMjkzOTY2Nzk2.html晨光微曦，睡意初醒。屏幕的两边，纤细和粗壮的手分别拉开窗帘，任凭世界的斑斓不由分说闯入眼底。让莲蓬洒出的甘露洗去夜晚驻留身上的客尘，更为抖擞精神礼拜这个于他们来说十分特别的日子。且勿慌乱，纵使心中小鹿乱撞，姑且从容做好眼下的一切。浓香的咖啡预示着美好的开始，于是背包启程，暂时告别你我熟悉的巴黎和纽约，街头巷尾，浮光掠影，尽是行色匆匆的路人，我只望向天空，畅想着天际种种美好。或许便在同时，我们缓缓飞入云端，有如被一根细线牵引的风筝，彼此越来越近。一切的一切，只为今日的相遇……本片全部采用Nokia N8手机拍摄，是2011年诺基亚短篇大赛冠军作品。
主演：宫野真守,花泽香菜,关智一,今井麻美,田村由香里
导演：佐藤卓哉,滨崎博嗣
简介：TOKYO MX重播的TV动画《命运石之门》（2015年）12月3日凌晨播出的第23话中改变情节，进入β世界线，凶真最终没能救活红莉栖，剧情进入了《命运石之门0》篇章。片尾彩蛋有《0》的主要角色、使用红莉栖头像的人工智能“阿玛迪斯”登场。新旧两版23集并非平行故事。新版是发生在旧版前夕的故事。 而《命运石之门0》和广播剧《无限远点的弧光灯β》是串连起这两集的关键作品。新版23集是《命运石之门0》的序曲，而《0》的结局是凶真给过去（2010年）的自己发短信、劝说当时的自己再次拯救红莉栖（这段内容在旧23集中也有提到），这才有了第24集第二次营救红莉栖的行动。《无限远点的弧光灯β》则解释了为什么在新23集中真由理阻止铃羽抽凶真一巴掌，却在旧23集中亲自抽了凶真。
主演：刘良
导演：林海燕
简介：由山东广播电视台出品的人物纪录片《刘良：中国首例新冠肺炎遗体解剖者》讲述了2020年初，在抗击新冠肺炎疫情中一位平凡而又耀眼的英雄——刘良的故事。刘良团队的解剖成果让这场“战疫”有了明确的作战方向。该纪录片题材重大，肩负着“向世界讲好中国抗疫故事”的使命，主角人物刘良自带光环，有家国情怀，使故事看点突出，引人入胜。其中，新冠肺炎遗体标本低温存放，以及纤支镜实验等影像都是首次对外披露。
主演：迈克尔·杰克逊,Pat,Dade,Amy,Smallman,Rey-Phillip,Santos,Heather,Ehlers,Kendall,Cunningham,茅斯·达夫
导演：斯坦·温斯顿
简介：本音乐短片改编自史蒂芬·金（Stephen King）的原创故事，导演是特效大师斯坦·温斯顿（Stan Winston）。故事开头，胖镇长（迈克尔·杰克逊 Michael Jackson 饰）带着一群家长和孩子来到镇上的一座古堡中，目的是为了赶走古堡的怪主人（迈克尔·杰 克逊 Michael Jackson 饰）。面对镇长的咄咄相逼，古堡主人提议谁先让对方害怕谁就离开，于是古堡主人带领一群鬼怪开始了奇异的恐怖的表演。表演过程由《Too bad》《Is it scary》《Ghosts》三首歌曲串联而成，最后古堡主人成功吓跑了镇长，并得到了居民的喜爱。这是迈克尔·杰克逊1997年拍摄的一部吉尼斯世界纪录记录最长的音乐录音带，在此片中MJ分饰了无名角色，包括经过了特效化妆后的胖镇长。
主演：内详
导演：居伊·德波
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：拿破仑·瑞恩
导演：菲利普·桑森,奥利·威廉姆斯
简介：空空荡荡的写字楼内，几乎所有的人都已下班，享受属于自己的快乐夜晚，只有身心俱疲的小职员查理（Napoleon Ryan 饰）还在站在复印机前，辛辛苦苦地影印材料。在这种几近崩溃的疲劳时刻，也许咖啡是唯一能令他稍感振奋的东西。突然，一件奇怪的事情毫无征兆地发生了。一张A4纸出来，上面没有任何所需的资料，只印了一个实心黑球。查理不以为意，将这张废纸放到一边，当他放置咖啡杯时，杯子竟然掉进了A4纸的黑洞里。这奇怪的黑洞引起了查理的注意，他尝试将纸挂在自动贩卖机上，结果成功地伸进黑洞拿到了里面的饮料。这时，一个邪恶的念头闪过脑海……
主演：野泽雅子,古川登志夫,田中真弓,鹤广美,渡边菜生子,龙田直树,宫内幸平,内海贤二,八奈见乘儿,难波圭一,饭塚昭三,户谷公次,乡里大辅,堀之纪,里内信夫,绿川光,中尾岩雄,屋良有作
导演：橋本光雄(Mitsuo,Hashimoto)
简介：在一个平静的日子，一股充满邪恶气息的小星球向地球逼近。人们惶恐不安，唯恐行星撞上地球。孙悟空和克林联手向行星发出龟派气功，却起不到任何作用。行星与地球擦肩而过，却也造成巨大的灾难。这时，一艘巨大的宇宙飞船降临大地，来者自称史拉格大王，他声称要将地球纳入自己的统治范围，并将地球改造成一艘宇宙飞船。史拉格是一个那美克星人，由于自幼被恶魔收养，他的灵魂中充满了罪恶，完全没有那美克星人善良的本性存在。凭借神龙的帮助，苍老的史拉格恢复青春活力，魔力空前高涨。为了阻止史拉格的罪恶计划，龙珠战士和史拉格军团展开连番恶战……本片为《七龙珠》剧场版第七部。
主演：入野自由,牧野由依,稻田彻,浪川大辅,菊地美香,坂本真绫,大原沙耶香,津村真琴,三宅健太,中田让治,矢田稔,立壁和也,相泽正辉,原田正夫,梯笃司,杉山大,重松朋,白熊宽嗣,中村悠一
导演：川崎逸朗
简介：立志成为一名考古学者的小狼和古楼国的公主－樱从小青梅竹马。两人虽然互有爱意，但是谁都没有勇气开口。一天夜晚，樱落入了由于为了获得樱所拥有的改变世界的力量而设计陷害他的飞王的阴谋，而失去了全部的记忆。变成羽毛的记忆也飞到了各个时空中。为了拯救樱，小狼开始了通向异次元的行程...在次元魔女郁子的摩可拿的引导下,,小狼和小樱来到了鸟笼国 那里的人们和鸟类为伴和平共处......可是由于国王的暴政,,反叛者们对鸟类施以暴行 用不可思议的羽毛力量统治国家的国王 最终他所拥有的究竟是不是小樱的记忆呢
主演：内详
导演：沈乐平
简介：特别篇动画《秦时明月之罗生堂下》是独立于动画《秦时明月》正传剧情之外的短篇番外故事。该动画讲述少司命年纪轻轻就从阴阳家弟子成为了阴阳家五大长老之一的经历。
主演：毕扬·丹斯曼
导演：Babak,Anvari
简介：男子学校的课堂上，男孩们等待着老师的到来。当一脸严肃的男老师走进来的时候，气氛一下子变得沉闷不堪。教室广播突然响起：同学们，今天学校将会有一些改革和变化。你们的老师将会对于你们的未来给出建议和规划，而你们需要做的就是仔细地听取老师们的建议，并严格遵从他们的指示。你们将是学校和同学们的骄傲。广播播报完毕后，男老师在黑板上写下“2 2=5”。大家都非常吃惊，这根本就不符合常理。但是老师宣称这是让男孩们学会的第一个“真理”。一片安静过后，男孩们都跟随老师一起读着。终于，一个男孩举手质疑这个答案。可是在老师的强迫下，他默默地坐下了。此时第二个男孩也站起来跟老师争辩。可是老师的答案却是：你不需要任何思考。男老师甚至找来大学生来恐吓这个男孩，他的同班同学更是不想惹祸上身。老师再次疾言厉色地问道：答案到底是几？男孩毅然在黑板上写下了：4。随之，悲剧的一幕发生了……
主演：能登麻美子,川澄绫子,竹内美优,斋藤千和,丰永利行,世户沙织,宫崎羽衣,门胁舞以,仲西环,下屋则子,松山鹰志,伊月由衣,进藤尚美,早水理沙,近藤隆
导演：大槻敦史
简介：在熏风高中上学的纯朴少年小山田耕太，迎来了来到城市后的第一个暑假。这也是和学园的园花、也是狐妖的源千鹤交往后的第一个夏天。浑身洋溢着轻松感的日子——耕太和千鹤，还有伙伴们，接下来将会有怎样一番经历呢？
主演：田中理惠,今井麻美,阿澄佳奈,佐藤利奈,堀江由衣,喜多村英梨,小仓唯,石原夏织,金井美香,植田佳奈,酒井香奈子,高桥智秋,相马康一
导演：向井雅浩,大岛博之
简介：《超次元游戏 海王星》TV动画于2013年7月12日~9月27日播放共12话，另于2014年10月16日在Animax播放新增1话，全13话。对TV动画重新构成的总集篇《超次元游戏 海王星 THE ANIMATION：Hi☆Light》全2话，分别于2020年10月28日、20 20年11月25日发售。新OVA1《超次元游戏 海王星 THE ANIMATION：涅普的暑假》于2019年7月8日在PlayStation Video配信，2020年12月25日发售。新OVA2《超次元游戏 海王星 THE ANIMATION：充满涅普涅普的感谢祭》于2021年12月15日在MiloQ 配信，2022年10月26日发售。新OVA3《超次元游戏 海王星 THE ANIMATION：沐浴阳光的紫茄子花》于2023年4月发售。
主演：Sari,Akasaka,Kyoko,Hanyu
导演：大林宣彦
简介：Experimental short film depicting the life, perhaps real, perhaps a dream, of a young girl named Emi. Emi travels to the city where she encounters her counterpart, Sari, and falls in love with...a vampire
主演：Francesco,Aricò,Salvatore,Alfano,Cristina,Cappelli
导演：Domenico,Onorato
简介：Diego is 17 and is full of life, yet fragile. His best friend Antonio knows and indulges his weaknesses, but he would also like to see him strong and masculine. One night they meet Maria, a breezy natural beauty. To show that he is a real man, Diego, is ready to do anything, even to force himself to do things he would never have wanted to do. Written by The Open Reel
主演：能登麻美子,川澄绫子,竹内美优,斋藤千和,丰永利行,世户沙织,宫崎羽衣,门胁舞以,仲西环,进藤尚美,早水理沙,下屋则子,松山鹰志
导演：大槻敦史
简介：在熏风高中上学的纯朴少年小山田耕太，迎来了来到城市后的第一个暑假。这也是和学园的园花、也是狐妖的源千鹤交往后的第一个夏天。浑身洋溢着轻松感的日子——耕太和千鹤，还有伙伴们，接下来将会有怎样一番经历呢？
主演：王大头,赵铁柱,阿香,陈皮诺,陈胖胖,张耀锋,张全蛋
导演：王大头
简介：有着专业的场景和幽默的演员，花絮幽默记录式的轻剧场，无固定演员固定角色具有鲜明的网络特点，上帝视角去观看影视拍摄现场的点点滴滴让观众，快乐，解压，放松。节目的拍摄还原真实剧组现场，力求每一集用最真实的剧组效果让 观 众体验各种片场笑点，每一集都是原创。
主演：刘北辰,陈奕雯,杨垚
导演：沈乐平
简介：《秦时明月之帝子降兮》是中国动画《秦时明月》系列的手游特别篇。这是《秦时明月 Mobile》运营商北京触控科技有限公司与动画《秦时明月》出品方杭州玄机科技信息技术有限公司的首次动画形式的合作。官方描述：“该片较以往几部《秦时明月》系列动画，不仅在剧情上独具看点，整个画面、气氛和叙事风格都做出了大胆挑战，将带给秦迷们全新的感受。尽管属于番外特别篇，但玄机团队依然运用了动画第五部《秦时明月之君临天下》中的技术，并且对技术的运用进行了更为深入和大胆的尝试，使画面的细腻程度和角色的逼真程度都毫不逊色于动画第五部，处处可见亮点，剧情上更将呈现惊喜，同时还将揭晓正片中的一个重要秘密。”
主演：丁建华,杨成纯,程晓桦,于鼎
导演：钱家骏,戴铁郎
简介：在敦煌莫高窟，保存着古代无数不知姓氏艺术家的手绘珍品，本动画片所讲述的，是其中一个古老而优美的故事画赞。看到波斯商人在荒无人烟的戈壁滩上迷路时，九色鹿为他们指点了方向，花喜鹊得知此事后，埋怨九色鹿做事草率，它担心手拿刀枪的波斯商人会把九色鹿的故事说出去。不久，九色鹿救下落水的弄蛇人，告诉他不要将看到自己的事情说出去，弄蛇人对天发誓会保守秘密。波斯商人拜见国王时，果然如花喜鹊所担心的，讲了他们在荒漠中的奇遇，王后听到，执意要用九色鹿的鹿皮做衣裳，其后，国王张贴布告，说捕到九色鹿者封官重赏。弄蛇人犹豫一番，见利忘义向国王高密，在遍地寻不着九色鹿的情况下他假装落水，九色鹿闻声赶来。
主演：李扬
导演：速达
简介：周恩来的童年时代，中国内忧外患，为了挽救国家危亡，周恩来开始了对中国道路的艰辛探索。本片讲述了周恩来从小独立自强、勤奋好学，童年时就立下“为中华之崛起而读书”的雄心壮志。周恩来的成长历程以及优秀品德的养成，希望对于青少年的人格培养起到亲切且深远的启迪作用。
主演：内详
导演：未知
简介：Netflix将打造“愤怒的小鸟”动画剧集《愤怒的小鸟：夏日疯狂》(Angry Birds Summer Madness，暂译)。Netflix直接预订32集，每集11分钟。剧集讲述在令人不放心的雄鹰顾问的指导下，可爱小鸟们的夏令营生活。CAKE与Rovio共同担任制作。该剧将于2021年播出。